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Maison & Objet September 2012 – Save Our Skills (Burkina Faso) – Eleanor Pritchard – Idoia Cuesta and others

Maison et Objet is a major trade fair held in Paris twice a year, in September and January.  It´s the place to connect with broad trends and where shops, galleries, designers, and manufacturers go to see, sell, buy textiles – furniture – interiors – worldwide.  There was a strong international presence in the fair and in amongst the hundreds of stands, in the Ateliers de France, section, I discovered stands by a good number of Galician Spanish craft workshops based not far from where I have my studio in north Spain.  Orders are taken at the fair by shops and work is then either sent on from stock, or made-to-order.   But there is more to Maison & Objet than just commerce as the images of the Burkina Faso weaving culture project by Save Our Skills shows.


Fabrics with a very special story from Burkina Faso.  Save Our Skills is an ambitious social project which aims to support traditional weavers and promote sustainable, organic agriculture with the re-introduction of organic cotton as an alternative to Monsanto cotton.

It was a rare priveledge to be introduced to Masa Dembele, master weaver, who was demonstrating with the portable 2 shaft looms that are traditional in his area.  I was amazed to see that the weave structure he was working with was very similar in some ways to the traditional Spanish overshot, (the pattern yarn “floats” over the surface of the fabric and the fabric is given stability with a ground weave in tabby).  But the designs are very different.  Those from Burkina Faso are more complex and not necessarily symmetrical because the weave method is more manually-controlled.

The loss of traditional regional weaving skills is, ironically, as acute in north Spain as it is in Burkina Faso, and the search for new ways forward is as difficult in Europe as it is in Africa.  There is also the added difficulty that export is not as obvious a solution:  wages and the cost of living in Spain are of course European, so it is even more difficult to make manual skills pay through the sale of work.   In Burkina Faso, traditional organic cotton cultivation has almost disappeared – and in Galicia, north Spain, it is the same with linen.   Overshot weaving in Galicia, north Spain, known as repaso nuevo, used traditionally for woven coverlets, has also become obsolete and there are virtually no traditional weavers left – and few younger weavers who have learned from them.

Thank you to Karin, Désiré and Denzel of Save Our Skills and the British European Design Group.  And of course anakiéh to Masa and Désiré.

 

Eleanor Pritchard´s elegantly-simple blankets are 100% wool and woven in Wales and are particular favourites of mine.   Eleanor is an accomplished weaver and designer.  She designs on a dobby loom in her studio and the textiles are woven by machine looms.

 

 

 

 

 

 

 

 

Waffle weave scarf design in silk and wool with natural dyes by Anna Champeney Estudio Textil (Spain)

designing scarf colours

Inspiring colours from the pictures of a Welsh Dahlia anemone produce a striking design

 

Waffle weave scarves on just 4 shafts give you a wonderful opportunity to explore colour and structure on the loom.  Anna Champeney Textile Studio in Spain produces limited editions of natural dyed waffle scarves in silk and wool which are available directly from the studio and the Charo Rey store (by St Martin Pinario) in Santiago de Compostela, Galicia, Spain.

waffle weave anemone scarf

Luminescent colours on this waffle weave scarf dyed with natural dyes (Design and weave by Anna Champeney Estudio Textil)

waffle weave glow

Colour graduations on waffle weave produce a glow on the final piece

waffle weave silk scarf

Complex colour interactions result in an overall design which appears very different to the original warp colours

choosing colours

Dyeing one´s own colour palette gives you an unparallelled control and choice of colour and tone

two-sided waffle weave

1 warp 3 versions

rosaliás scarf

Gradual colour changes in warp and weft produce designs of subtlety and simple beauty

weaving with 2 shuttles enables the weaver to explore more complex interactions between colour and structure

weaving with 2 shuttles, each with a different colour, enables the weaver to explore more complex interactions between colour and structure

 

blue and green waffle weave

Indigo, copper, locally-grown dyers´ chamomile and weld produce a gently harmonious colour palette on this waffle weave scarf

warp

Limited edition scarves are woven in series of just 3 pieces. Here you see the combination of colours used for a warp but a single scarf may have as many as 20 different hues and tones

All pieces shown here are already sold or reserved.  Only 6 – 8 more one-off pieces will be made using this silk-wool blend.  To inquire further or reserve one of these pieces please contact Anna Champeney Estudio Textil direct.

Fulares de gofre en seda y lana con tintes naturales. Diseño textil por Anna Champeney Estudio Textil

designing scarf colours

waffle weave anemone scarf
Los foulares de gofre de Anna Champeney Estudio Textil son piezas únicas, y cada pieza puede llevar hasta más de 20 tonos diferentes.  Cada color es el resultado de un proceso artesanal del teñido empleando tintes naturales que incluyen la gualda y Anthemis tinctoria, plantas locales y totalmente orgánicas.  El efecto de luminiscencia  en ésta pieza (arriba) es debido a una combinación muy lograda de tonos incorporados en el tejido (pieza vendida).  El diseño de gofre es especialmente cálido atrapando el aire entre el cuerpo y el tejido, en sus pequeñas “celdas”.  
waffle weave glow
Los cambios de color han de ser bien pensados por la diseñadora textil para un diseño harmonioso (vendida)
waffle weave silk scarf
Un fular especial con muchos cambios de colores (vendida)
choosing colours
Una ventaja de teñir los colores en el estudio textil es la creación de una paleta de colores mucho más variada, harmoniosa y 

sutil

two-sided waffle weave1 warp 3 versions
El ligamento de gofre ofrece la posibilidad de diseñar foulards de dos caras (vendidas)
rosaliás scarf
Otro ejemplar de una pieza especial con muchos cambios de color que resulta en un efecto de arco iris (vendida)
weaving with 2 shuttles enables the weaver to explore more complex interactions between colour and structure
Un diseño elaborado con dos colores en la trama produce un efecto más sofisticado todavía (vendida)

 

blue and green waffle weave
Otro efecto de color en el último foulard tejido en Anna Champeney acabado ayer.  
warp
Todos los foulards han sido tejidos individualmente, y están realizados en Anna Champeney Estudio Textil, Galicia, en series de 3 piezas únicas.  Cuestan entre 125€ – 185€ según el tamaño y diseño.  Contacta con Anna Champeney Estudio Textil para disponibilidad de piezas únicas a la venta y en proyecto.